Virtually all light was concentrated at the very front of the There was no ability to control the fall of light, no directionality. Open gas flame came into use about 1815 and persisted in most As recently as 1800, candles and oil lamps were still being Almost all plays were performed outdoors until afterġ400 a.d. Until the end of the 19th century, lighting was the most importantĬontrolling factor in stage presentations.Faced with time limitations here, I'm making huge generalizations, so bear with me. Following a wide establishing shot of the entire stage, cut in to a series of close ups or perhaps a slow close up pan of the minor characters.Ībout Plays and Other Performances: How plays get put together.Īlthough I'm going to focus on plays for a bit, what I describe next applies to dance and opera as well as drama.Īlthough I'm going to focus on plays for a bit, what I describe next applies to dance and opera as well as drama. The viewer may expect to see his or her child, sweetheart, spouse or parent in the performance, but understands that in a stage presentation there are principals and secondary characters, that not everyone is equal and that not everyone will receive equal weight on the DVD.Ī good way to make sure that all the minor characters get seen is with CUs in the first production number. The viewer doesn't want the tricks of the event videographer's trade interfering with her enjoyment of the story, so switches from color to black & white, "time shifting," slow motion sequences and digital transitions are pretty much out. Since viewers aren't free to look wherever they please, as they would be in the theatre, we have to make certain they see entrances and exits, actions and reactions and are constantly oriented to what's going on. The viewer expects to have enough information on his viewing screen to know at all times what's going on. The viewer's preconceptions are colored by his experience of performances he has seen on television and film. The viewer's expectations when watching your performance DVD are colored by a desire to see the show as it happened - as if he or she were actually in the theatre. In other words, nothing but close-ups wouldn't be any more satisfying to performers than nothing but cover shots. This is especially true of dance performances. They expect some close-ups of themselves, but at the same time want a sense of themselves in stage space, interacting with others. Performers want viewers of the DVD to see and experience the piece of work they were in. Unlike the recital, the goal of a performance is to present a coherent piece of work - a ballet, symphony, musical entertainment or dramatic piece - in which what is important is the piece of work itself, rather than the individuals performing in it. Talk about regarding performance can be applied to recitals. Recitals are a topic of their own, although many of the things we're going to Teacher is show-casing his or her teaching abilities by showing off how muchĮach student has learned, or what each student is able to do, so it's important to And we'll discuss some ways to shoot and edit to meet the expectations of.We'll show how stage shows are created and what is unique about them.We'll indicate what the purchaser of a performance video expects to see.We'll consider what producer and performers expect from a performance video.Our cameras and microphones can capture the verbal and musical elements of performance with ease, but we have to work harder to capture the spatial and dimensional aspects of the performance, since the video medium is flat, like painting. And in the case of drama and opera they are highly verbal as well. Visually, these arts are spatial and dimensional, more closely allied to sculpture than to painting. I'd like you to keep in mind that we're dealing with art forms that, in the case of drama and dance, have evolved over more than 2500 years and, in the case of opera, have a development that is more than 400 years old. Notes from a Seminar, Presented by Jack WolcottĢ007 4EVER Group Annual Conference, Jacksonville, FLįor the next hour we're going to look at the challenges involved in shooting and editing performance video, and at some strategies for dealing with them. Shooting Performance Video: A View from the Stage Shooting Performance Video - A View from the Stage.: VideOccasions
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